Painters Progress

I love to see paintings when they are complete, framed and ready to show…  but I really love to see how they started, how they progressed, what worked, what didn’t and the decisions that were made as a result.

Drawing is my first love, I find painting a much more challenging medium, so it really helps me to see the process behind the work and learn tips and techniques to help and inspire me.

Here’s a series of photos that I took when I painted ‘Lobster Pots of Lyme’.  I chose the subject because it was complicated. I wanted to challenge myself to convey the shape/volume of the pots with strokes of paint. I liked the cropped composition, too. It felt like a cross between an abstract and a still life.

close up

I used a very limited colour palette of acrylic paints; raw sienna, raw umber, yellow ochre, burnt sienna, paynes grey and white on a pebeo canvas panel. I used my own photograph for reference.

 

I roughed out the composition. then concentrated on adding the foreground areas. I painted the areas ‘inside’ the pots as abstracted shapes, looking at the ‘negative’ spaces between the ‘positive’ wicker structures. I worked on each pot individually, but kept coming back to the painting as a whole to check the colour choices and the light and shadow. Finally I added in a grey-ish background to anchor them.

 

Lyme_lobster_pots_bethany_moore_art

Lobster Pots of Lyme. Bethany Moore 2016

Acrylic on canvas panel 40cm x 40cm

 

 

 

 

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